These crop up every so often. This list is compiled by the Guardian. It's pretty good as these things go, but there are a few quirky things about it. Like virtually all these lists, there are a handful of recent novels that won't stand the test of time. I definitely think Han Kang's The Vegetarian (#85) falls in this category. I did read this, and I thought it was quite a bad book. (At least it's short...)
The panelists seem to have tried to go slightly beyond the original canon, though there still aren't many African novels. Half of a Yellow Sun (#62) by Chimamanda Ngozi Adichie is there, along with Achebe's Things Fall Apart (#22), as well as Nervous Conditions by Tsitsi Dangarembga (#74). Nervous Conditions is apparently part of a trilogy, all well-received, so I guess I should read this one of these days. I've read Half of a Yellow Sun and liked it a lot. I've also read a fair bit of Achebe, including Things Fall Apart, and one day I will see about rereading some of them. A few years back, they might have included something by Ben Okri (who I actually don't enjoy that much) or Wole Soyinka (whom I haven't read). Coetzee, a South African writer who moved to Australia is represented by Disgraced. I don't think I did read this. I wonder if Waiting for the Barbarians, which I have read, is the better and perhaps more important book, as it is (probably) more directly engaged with colonialism. Nadine Gordimer doesn't appear to be on the list either.
I would say two of the books on the list - The Metamorphosis (#48) and Heart of Darkness (#41) are really too short to qualify as novels and perhaps not even as novellas.
It doesn't appear that Pynchon is represented at all. I would swap out The Metamorphosis for The Crying of Lot 49, which at least is a novel. DeLillo also seems to be shut out. A few years back Underworld would have been on these lists and very likely White Noise as well. In fact, I thought White Noise was on the list, but it must just have been voted on by a few panelists.
Maybe the biggest surprise is that of all the major U.S. novelists, Steinbeck seems to have been left off as well. I didn't see Grapes of Wrath, East of Eden or Of Mice and Men, which usually make these lists. I think my personal favourite is Cannery Row, which I ought to try to reread this year, as it is quite short.
In general, core American writers have not fared as well, as on other, previous lists. Unless I have missed something, Faulkner is only on here with The Sound and the Fury (#57), which pretty much has to be on these very literary lists. I don't see As I Lay Dying (which I didn't care for all that much), Light in August or Absalom, Absalom! I think Absalom, Absalom is fantastic and deserves to be here, but my personal, idiosyncratic favourite Faulkner is The Reivers.
Other Southern writers fare worse, and I don't see McCullers (The Heart is a Lonely Hunter), Flannery O'Connor or Eudora Welty.
Mark Twain isn't on here at all, which may be due to just how omnipresent the N-word is in Tom Sawyer and particularly Huck Finn, making it all but impossible to put on school and even university reading lists. Now Moby Dick (#15) is an important book, but it is a somewhat painful read. I much prefer The Confidence Man, though that is definitely a minority position.
Toni Morrison does quite well (and I believe is the best represented US writer) with The Bluest Eye (#75), Song of Solomon (#40) and Beloved (#2!). I definitely prefer Song of Solomon to Beloved, but I don't think it is a travesty to see the rankings reversed.
I don't see any Iris Murdoch. While I wouldn't really have expected to see Under the Net (which I like very much and plan to reread soon), I thought maybe The Sea, The Sea would have made it, particularly onto a list compiled by the Guardian. Again, likely 10 or so years ago she would have been more in the general conversation and made the cut. I think Muriel Spark is only represented by one novel - The Prime of Miss Jean Brodie (#31).
Dickens is reasonably well represented with David Copperfield (#33), Great Expectations (#35), Our Mutual Friend (#72) and Bleak House (#12). Not much before this, Pickwick Papers would have likely made the list. I think Oliver Twist and Little Dorritt are just a bit too sentimental for this sort of list.
Austen also has 4 on the list: Pride and Prejudice (#9), Emma (#13), Persuasion (#18) and Mansfield Park (#56). I would definitely have substituted Sense and Sensibility for Mansfield Park, but maybe I would only have given her two slots overall.
Virginia Woolf does even better with 5 on the list! To the Lighthouse (#4), Mrs. Dalloway (#14), The Waves (#55), Orlando (#54) and Jacob's Room (#90) all made the cut. Oddly enough, I can't recall if I have read The Waves, but probably so. Nonetheless, I won't count it against my total until I have reread it, maybe later this year if the stars align.
Russian literature always does well (Dostoevesky, Tolstoy and even Bulgakov), though I don't think Turgenev makes the list, and Fathers and Sons is such a strong candidate.
French novelists are probably the most under-represented. Proust and Flaubert are here, but no Balzac, Hugo or Zola (or Perec either). Maybe it is just too hard to pick one from everything they have written and there was vote splitting, or maybe the Guardian panelists just don't read that much French literature in translation. Ten years ago, I think we probably would have seen Irène Némirovsky's Suite française on the list.
I would definitely liked to see more writers from South America, even though Borges never wrote any novels and short story collections don't cut it. Garcia Marquez only makes the list once (One Hundred Years of Solitude at #17) when at least two others should have been under consideration - Chronicle of a Death Foretold and Love in the Time of Cholera. I might well have found space for Christopher Unborn by Fuentes, maybe Hopscotch by Cortazar and something from Vargas Llosa (again a lot to choose from but probably Conversations in the Cathedral is the one I would promote).
Canadian authors are really shut out with only Atwood's The Handmaid's Tale (#36) making it. And clearly this novel is so important right now, but I actually think Cat's Eye is stronger and deserves to be on the list.
Thinking over the Canadians that didn't make it, I would pitch Findley's Not Wanted on the Voyage, Kroetsch's The Studhorse Man and Ondaatje's In the Skin of a Lion (a more interesting novel than The English Patient, which would probably have been on this list 10 years ago). Slightly more idiosyncratic choices would be Susan Swan's The Biggest Modern Woman of the World and Guy Vanderhaeghe's My Present Age (a Canadian version of O'Toole's A Confederacy of Dunces, which incidentally always used to make these sorts of lists and hasn't this time).
I've run out of time, but will circle back shortly with some of the interesting novels culled from the panelists' choices, though that may merit a second post.
In terms of my own progress through this list, I am at 69/100 (and probably actually 70, if counting The Waves), and 18/20 from the top 20. Not too shabby. I am fairly sure within in a year or two, I can get to 75. The ones I am most likely to read or attempt to read are: Woolf's The Waves, Mann's Buddenbrooks, Hardy's The Return of the Native and Jude the Obscure, Austen's Emma, Baldwin's Giovanni's Room, Nabokov's Pale Fire (a little more interested now than I was a month or two ago) and Tolstoy's War and Peace (though this is definitely a longer-term goal).













