Sunday, August 24, 2025

Sorting Through 50 Fall Books

I have a few posts I hope to get through today, but let me start with one that I need to finish to straighten out my library account.  Just a few days ago CBC published a list of 50 books by Canadian authors coming out this fall.  I figure a few of them can be put on hold (though none seem listed on Overdrive/Libby yet), but the rest I'll have to circle back if I see them at the library and am in the right frame of mind or perhaps more likely when I find them remaindered at BMV and I bring them home.  I mean not that I need to add anything to my reading lists and piles, but some of these look pretty interesting.  I guess I'll group them into must-reads and might-reads.

Must Read:

Aliens on the Moon by Thomas King
Self Care by Russell Smith

Might Read:

You've Changed by Ian Williams
Pick a Colour by Souvankham Thammavongsa
The Trial of Katterfelto by Michael Redhill
Big of You by Elise Levine
Suddenly Light by Nina Dunic
A Fast Horse Never Brings Good News by Cary Fagan

I may end up promoting Pick a Colour and possibly You've Changed, but otherwise I will try to show some restraint and get through everything else I need to read before even considering the might reads.  

I did wrap up Richler's St. Urbain's Horseman but didn't like it much at all.  I sort of liked early Richler more, even though Duddy Kravitz is incredibly crass, but his later novels (this and Barney's Version) just turn me off.  I suspect it is a combination of the main characters making terrible choices and that I am less and less comfortable reading dialogue in what seems very stereotypical English/Yiddish patterns.  I have the same issue with Howard Jacobson, whose work I don't enjoy either.

I have only a few more pages left in Slouching Towards Kalamazoo by Peter De Vries.  This was quite funny in places, though some of the repeated gags do get a little stale.  As I mentioned before, this uses Hawthorne's The Scarlett Letter as a launching pad but goes in a very different direction.  One of the more amusing bits is the public debate between a minister (the narrator's father) and the town atheist.  By the end, they have each convinced the other and "switched sides."  Interestingly enough (to me), I was in such a debate in undergrad (in a class called "Ways of Thinking") where the point was to have a debate but to argue for (and from) the side you didn't agree with.  I ended up in a debate about religion and leaned heavily on C.S. Lewis (and does the atheist character in the novel, who becomes the narrator's step father!).  I do believe I made a more genuine and compelling case than my opponent whose heart wasn't really into it.  Nonetheless, I was not convinced that Lewis was right at the end!

I do think the next 4 or 5 books will be from the piles in the back study and then maybe I will feel things are just a bit more under control as these piles shrink.  Here's hoping!

Wednesday, August 20, 2025

Quick Follow-Ups

It was a bit of a relief to hear that Canadian Stage had needed to cancel on Tues. (and then they did again on Wed. though they probably could have risked it and I don't think it actually did rain).  I mean of course I'm sorry that everyone was inconvenienced, but that is always the risk with outdoor theatre.  I guess that was really what I was driving at when talking to the jerk at the box office, that it makes more sense to just rip the band-aid off and cancel early rather than having everyone travel out (generally far out of their way) and wait and see about a "game-time decision," and I was simply trying to understand when they were going to make that call.  Anyway, because Tues. and Wed. shows were cancelled, I was able to rebook to Thurs. (with a different staffer), which was what I had wanted from the beginning.  Obviously, I hope the weather cooperates (and next week as well when I am hoping to see Tiff'ny of Athens in Withrow Park). I had initially imagined taking the TTC over, but it's only a couple of blocks further than the Revue, and there are definitely some advantages to having the bike to get around High Park, so I am now thinking I will bike it and see how that goes.

The additional exercise would be good.  I actually am now able to fit in a relaxed cut jeans with 36 inch waist (probably more like a 38+ inch waist in a standard cut), but still some progress, and it means I have a decent pair of jeans I can wear!  If I really crack down (and improve my eating habits!), I might squeeze into a size 34 before the summer is over.  Something to strive for, I suppose. 

A few weeks back I was writing about going down various musical rabbit holes.  Well, it has happened again, though I haven't let it completely take over my life.  I recently found out that most, but unfortunately not all, jazz recordings on the Venus label are on iTunes.  I then had to run down the list of all the various Venus recordings I had tried to pick up in the past (mostly Archie Shepp and Barney Wilen, though there are quite a lot of great Eddie Higgins albums and even one or two by Eric Alexander).  Most of them are indeed are on iTunes (and are currently in my queue), but then I was trying to figure out what was missing.  It looks like a couple of tracks from Archie Shepp's True Ballads #2 and Lonnie Smith's Afro Blue and a few by Eddie Higgins, including Bewitched and Haunted Heart.  Fortunately, Haunted Heart is available at Bandcamp, but the others do not appear to be unfortunately.  I was pretty interested in this double album that paired Bewitched and Dear Old Stockholm, but this doesn't appear to be available any longer, even in Japan.  Still, I am trying to focus on having access to the bulk of the Venus catalog, which is quite nice overall.

I'm also missing some bonus tracks from Vee-Jay albums by Eddie Higgins and Benny Green.  There does not appear to be any way of tracking these down, which is always a bit upsetting.  Maybe they will surface one day, as I believe this material fell out of copyright, at least in Europe.

Monday, August 18, 2025

Frustrating Day

I'm not sure whether it makes more sense to write about today, which was exceptionally frustrating, including getting screamed at for two blocks by a fellow cyclist who said I cut her off.  (I mean, I did cut in front of her, though I don't think we were as close to crashing as she claimed (or rather screamed).  I don't need to go on Am I the Asshole to find out I was mostly in the wrong (or rather entirely in the wrong but there were extenuating circumstances, namely trying to avoid being hit by a car since I was in the middle lane and not on the far right where drivers expect to see bikes), but that reaction was still so over the top that I'm ultimately going to dismiss her as a kook.)  Or just try to dismiss the whole day as essentially a fever dream.  The second option is probably healthier...

Still, I might as well touch on the many non-work frustrations.  I found out that it is likely to rain tomorrow, which would make going to see Romeo & Juliet in High Park an absolute drag.  I called the box office, first to find out when they would announce it if the show was going to be cancelled, and the guy at the box office was dismissive and rude.  I should have just insisted that as a subscriber, I should be able to switch to Thurs.  I think this is absolutely the last season I bother with Shakespeare in High Park as it is a huge hassle to get there, it is uncomfortable and honestly the productions aren't really that magical.  Indeed, if I am not feeling any better tomorrow (and I likely won't) I may just eat the ticket and forgo the show entirely (and see Tarkovsky's Solaris instead which is certainly more appealing at this point).

I had noticed that my main pair of jeans had a rip in them, and I was going to try to deal with it in the evening.  However, riding my bike (all the way out to Roncy!) ended up widening the rip to the point I'm not really sure I can repair them, and I don't even know what jeans I can wear tomorrow.  So this is a huge drag.

I was going out to The Revue to see Varda's Le Bonheur, which I didn't care much for.  At heart, I can't really shake my Puritanical tendencies and can't get behind a movie where the main protagonist is basically a shit, driving his wife to suicide (after he tells her he has been unfaithful to her), and then he just starts over again with his mistress who agrees to join his family and take care of his children.  So it all works out for him swimmingly, even though he had wanted and half-expected to have his wife while still eating out his mistress...  There are a few interesting films coming to The Revue in Sept., so I'll have to decide if I want to keep coming out there (and with each one regretting not getting the annual membership).  Getting there isn't so bad, but then I usually regret it on the long bike ride home... 

I guess that is probably enough venting for now.  Hopefully things will seem better in the morning (if I can even figure out something to wear).

Quick Thoughts on Stratford 2025

This will be a somewhat short post that I will likely expand on later.

The good news is that the bus trip went very well.  On the way in we were about 10 minutes early and almost 20 minutes ahead of schedule coming back, despite some extra traffic on the Gardiner due to the CNE.  So that was terrific.

It was quite hot on Sat.  Normally, I go for lunch at a Thai place just off the main square and eat outside, but it was too hot for that, so we ate inside.  Then we wandered over to the B & B we were staying at and managed to drop off our bags, then returned to the Avon for Macbeth.  I enjoyed LePage's Macbeth more than I thought I would.  Serious critics and purists hate it for the various cuts that have been made, though the examples that Slotkin was citing seem forgivable to me.  Also, they must have figured out how to move the set around faster than during previews.  The whole production took just about 2.5 hours, which is almost break-neck speed and hardly "glacial," as two critics wrote.  The set is pretty incredible, though I would agree that LePage is more in love with spectacle and the visual look of a play and a bit less focused on the play itself.  Anyway, it does seem almost like watching a movie, and Macbeth seems to be a major hit of the season.  It was extended along with Annie and Anne of Green Gables and Dirty Rotten Scoundrels.  And if I read correctly, a touring version of the play will be traveling around Canada next year.

However, in general Shakespeare productions are not doing that well any longer at the festival.  There were lots of empty seats (at the Tom Patterson!) for Winter's Tale, and I heard As You Like It had lots of empty seats, despite getting quite good reviews.  At some point, they may drop down to only 2 or 3 Shakespeare plays per season.  I do wonder if they should try to add in more plays by Shakespeare's contemporaries or Restoration comedy, which would at least bring out the English lit. types.  I think this year, Shaw Festival only put on Major Barbara (and nothing else by Shaw), which I did consider seeing, but their scheduling was so dopy, it wasn't possible to get out there on a day the Shaw bus was running!  I might take one more look but probably won't change my plans at this point.

I didn't enjoy The Winter's Tale at all.  I mean I wasn't expecting to, but I figured Stratford probably would put on the best possible production of The Winter's Tale, and I could see what they did with it.  The jealous rage that comes over the king comes completely out of nowhere (whereas in Othello and I think Cymbeline there is a villain spurring on the jealousy, which is far more believable).  And then there is not even a hint that the Queen is being hidden away by her friend.  And then 16 years pass, as if there would be no opportunity for the King to have second thoughts over that entire period!  I think the plot is foolish, and indeed it's actually even less appealing than its source text "Patient Griselda" in the sense that the boy prince dies (of heartache?) and is not reunited with the King and revived Queen and recovered Princess at the end.  Then the tonal shift in the second half of the play is pretty jarring.  Personally, I found the rural clowning after the intermission just went on and on.  Some of that definitely could have been cut.  And of course, the badly behaved men (Autolycus as well as the King) get off scot-free.  I absolutely hated The Winter's Tale as a play, so I will certainly never go again.  I'd say it is now at the very top of my least favorite Shakespeare plays, displacing The Merchant of Venice.  I'm not really a fan of Cymbeline either, but that one I can at least imagine seeing again.  

Sunday was much cooler, and it did threaten to rain but didn't.  We had a lot of time to kill (really probably too much time on our hands...).  I had heard that the river had been low all summer but recently the water level had come up.  It might have been too late to bring the swans out.  We walked up and down the river a few times and saw ducks and geese and even seagulls, but no swans.  Too bad.

 
We walked through Art in the Park, though one of the artists we liked the most wasn't there that weekend.  Then we wanted up to the Festival Theatre.  I looked around the bookstore but didn't actually buy anything.


We decided to get over to Gallery Stratford.  While I think it is a decent art gallery, it is very small -- only 3 rooms of art.  So I find the admission price ($12) is pretty steep for what you actually see.  However, I do like the park it sits in and the art that is all around the gallery is cute.


I really liked Ransacking Troy, though once again Stratford really doesn't market this properly (much like Napoli Milionaria! from several years back).  It has comic moments but is not a comedy.  It is much more bittersweet and complex and far less (female) empowering than the revisionist take that was promised.  I don't want to say more in case you are going but haven't seen it.  It really is quite incredible in how Shields has woven her play around key bits of The Iliad and The Odyssey (revising but never quite contradicting those texts) and even sets up Aeschylus's Agamemnon.  About the only piece that doesn't quite fit is Electra goes off to Circe's island rather than going home with Clytemnestra, but this could still be retconned into the rest of the Oresteia if needed.  I'll be thinking about this for some time to come.  If anyone brings it to Toronto, either transferring this production or a new cast & crew, I'd go again.

About the only downside is that I was very unimpressed with the vegetarian options at Tom Patterson (and we were a bit too tired by this point to march downtown for a burrito or something), so I didn't have lunch and then just had trail mix on the bus back and didn't actually eat dinner until 10 pm!  So that wasn't ideal.

I read about 200 pages of St. Urbain's Horseman and 100 pages of Slouching Towards Kalamazoo, and I should wrap both of those up this week.  Slouching Towards Kalamazoo riffs so heavily on Hawthorne's The Scarlet Letter that I am considering reading this in the next month or so, as it is a text I skipped over* in high school!

I may add more thoughts on the trip and my thoughts on the plays if I have a chance.

I guess Stratford has "officially" announced the next season, a few days after it had completely leaked.  I think I will probably only go see Di Filippo's Saturday, Sunday, Monday and Miller's Death of a Salesman, but perhaps I'll change my mind.  (Actually The Tao of the World is an update of The Way of the World set in modern Singapore, and I'll likely see that.)  My wife surprised me by saying she wanted to see Salesman as well.  I mean I certainly like The Tempest and Importance of Being Earnest, but I've seen them so many times and just can't really justify the expense of Stratford for that...  For that matter, I saw Godot not that long ago at Stratford (with Brian Dennehy!), and I'm currently on the fence on going again at Coal Mine.  I'm definitely not going back to Stratford for that. 

* Poking through my old blogs, it suggests that somewhere along the way I did read The Scarlet Letter, but I certainly do not remember this!  That is extremely odd, though I suppose not unheard of given the sheer volume of books I read in my 20s and early 30s.  I think I'm still up for trying to reread it this fall and see if any of it starts coming back to me.

Friday, August 15, 2025

Time Out of Joint

I'll be heading over to Stratford fairly soon.  This time around, I am going with my wife and we are staying over one night.  (I just dug up the B&B confirmation.)  We'll see Macbeth.  I'm trying to ignore the fairly negative reviews that LePage's directorial choices have gotten and will try to enjoy it more as a spectacle, maybe more along the lines of Kurosawa's Throne of Blood, which departed from the core text completely in places.  Still, I hope one of these days to see a straight production in Toronto.  I think I saw a stripped-down version at Alumnae (up in the tower) with a fair bit of doubling, and then before that it was Bard on the Beach in 2012!  So it's been a while.  (I'm not counting the puppet version that was done at Red Sandcastle or the Goblins* doing Macbeth at Tarragon, even though both were interesting in their own way.)  I guess it is a bit late to point out that "Time is out of joint" is actually from Hamlet and not Macbeth...

Then I am seeing The Winter Tale by myself in the evening.  I've heard very good things about this performance, though I don't care for the play at all.  Still, I guess it is something to check off my list.**

Then on Sunday we are seeing Ransacking Troy which is a complete overhaul of The Iliad where the wives of the Greek warriors intervene and apparently haul them away from Troy, so some sort of a happy ending?  It should be interesting at any rate, and then we will take the bus home.  I'm hoping we will get back home around 8 pm.  I may have enough energy to get to the gym, or that may be pushed off until Monday.

It turns out that tonight, it is possible to do lane swimming at Jimmie Simpson tonight after work at 8 pm, so I will plan on doing that.  I also am able to catch a live stream of Eric Alexander and Vincent Herring at Smoke, which starts at 7.  So my plan is to watch the very first part of the stream and go off and get my laps in, as I obviously can't swim over the weekend, and then I should be able to rewatch on Sunday evening.  (Typically, the streams are watchable for 48+ hours.  Here's hoping.)

My wife is going to do a grocery run today, as again the bulk of the grocery shopping happens on Sunday.  I believe I should be able to cook a dish for later in the week Sunday evening, maybe with the Smoke stream playing in the background.

Plenty of other things I could discuss, but I really need to run.

Edit (8/16): It may already be gone but the 9 pm set from Smoke was available as a complimentary stream hosted by All About Jazz.  You can poke around and see if you can turn it up on their site.  I tuned in about 5 minutes late to the 7 pm set, but it was available for immediate rewatching, which was super helpful.  I think I'll be able to check it out again tomorrow, though hard to say for sure.  Similarly, the 9 pm set may be up through the weekend, but that would probably be it.  Anyway, I have to get ready to go.

* Speaking of the Goblins, I had asked if they were bringing their version of Oedipus Rex to Tarragon, and, while they were hopeful, apparently they couldn't make it work, so I am running back to Stratford for a matinee performance in Oct.  I'm sure it will be great, but it still would have been preferable to see this over at Tarragon.

** Curiously, Shakespeare in the Ruff did a version of Winter's Tale where they made some key inversions of the text but then didn't say they were remixing Shakespeare.  I just couldn't support that and didn't go.  It's much better when they do something like Portia's Julius Caesar or this season's Tiff'ny of Athen where it is much more obvious they are doing something odd with the text.  I do plan on see Tiff'ny of Athen.  Still a little disappointed that I couldn't get over to Theatre Centre to see a proper Timon of Athens, but I just ran out of time before my New York-DC trip (which is more or less the last time I will set foot in the States until Cheetolini is out of office or dies of natural or unnatural causes).

Wednesday, August 13, 2025

Wrapped Up Kurosawa

Last Sat. I saw the last of the films in the Kurosawa retrospective over at the Revue.  They had 8 films, and I saw 7 of them, skipping over Yojimbo, which they had shown only a few months back.  I was taking a look at my progress, and this means I have now seen 17 (of 30) films by Kurosawa and 11 of them on the big screen!  Not bad.  I think I did miss out on The Bad Sleep Well in the past year or so.  I'd say it is moderately likely that The Bad Sleep Well or Red Beard (many consider this to be one of his greatest films) show up at the Revue or Paradise (or even TIFF, not that I check their schedule that often).  I do think it is less likely that Rhapsody in August will turn up, even though it seems pretty interesting.  I should be able to squeeze this in at some point this month.

Some minor SPOILERS below if you know nothing about Kurosawa's films...

SPOILERS (you have been warned)...

I enjoyed Ikiru much more this time around, compared to my second viewing, though it still has some pacing problems, including a bit too much time spent in the company of the hack writer, who serves as his Mephistopheles for a long night of entertainment and debauchery.  I also don't like how much time is spent with the young female junior employee (who quits to go off and make toy rabbits).  But even she is pretty clear that it doesn't feel right to spend time with him, and she sets him off on his last life-course correction.  One thing I am slightly ashamed to admit is that I thought the drunk hack writer was actually the yukaza boss slumming it for one evening.  (I have a bit of face blindness when it comes to actors in black and white films, and in particular generic pretty girls...)  I thought that was the explanation behind why they backed off on trying to develop a red-light district at the park site, but indeed it was more that Shimura was beyond worrying about bodily threats and thus when they found they couldn't intimidate him, they moved on to less troublesome ventures.  (Not sure this would actually play out this way, but it makes sense in the context of the film.)  Anyway, the novelist was played by Yûnosuke Itô, who is also the "horse-faced" chamberlain in Sanjuro and one of the selfish executives in High and Low.  Seiji Miyaguchi, who played the yazuka boss, was one of the most effective samurai in Seven Samurai and has a small cameo as a "phantom samurai" in Throne of Blood.  He also plays a prosecutor in The Bad Sleep Well, so I'll have to keep an eye out for him.  He shows up in other directors' work as well, most notably in Ozu's Tokyo Twilight, Early Summer and Early Spring, Kinoshita's Farewell to Spring, Naruse's Flowing, Kobayashi's The Human Condition, Kwaidan and The Inheritance (I'm fairly sure I've seen The Inheritance, but I borrowed it from Robarts just in case not).  Most of these were fairly small parts, with Seven Samurai probably being his most impactful role.

I'm not quite sure where Ikiru sits now in terms of my favorite Kurosawa films.  It's not the top spot, but somewhere in the top 5.  I think High and Low is perhaps my favorite, so I'm glad I saw it again.  I do like the second half better, though the first offers up an interesting moral dilemma of whether to ruin oneself financially to save another person's child.  (Quite coincidentally, I am about halfway through Downing's A Narrow Time which is about a missing child, presumed to be kidnapped, though there are some hints that the child was convinced (by someone else) that her mother was a bad person and left willingly.  It's very hard for me to read about children in danger or indeed those that turn against their parents (as in one of the "Julieta" stories from Alice Munro's Runaway).  I was going to post something more on this, but I don't really have the time right now.)

I thought it was somewhat interesting that Kurosawa really was able to bring an awful lot of his acting troupe back in as cops in the second half of High and Low, including Kanji Watanabe as a senior officer helping to coordinate the on-going search for the kidnapper (after the chauffeur's child is released unharmed).  I've been reading the reviews of Spike Lee's remake of High and Low (Highest 2 Lowest), staring Denzel Washington, and most reviews seem to indicate he struggles with the first half of the movie (perhaps not quite as claustrophobic as the original) but that the second half is really great.  I'll probably go see it.  It seems to be out in the States but not Canada yet.  Should be released soon.

Seven Samurai was amazing.  This was definitely a superior experience to watching it a few months back when it came to Carlton (where I found out about it too late to go).  They even put in the intermission at around the 2 hour mark, which was much appreciated.  

I would say I liked Sanjuro more than Yojimbo, though both were good.  In Sanjuro, the samurai is made to think much more about how to avoid violence and to be a "sheathed sword."  Though he certainly still has near supernatural prowess.

I'm not sure how many of these I would go see again (or even for a third time), but it will depend on the circumstances.  I would probably go see Ran again, given that the screening at the Fox was far from ideal.  However, my focus is on trying to see the rest of his films on the big screen for the first time...

Most days I did bike over to Roncesvalles, which usually wasn't too bad going over, but a bit of a hassle coming back, as I was just tired.  One evening (I believe Monday), it was quite late and I came very close to hopping on the streetcar with my bike but I didn't.  This was a rare case where the traffic flowed very well and the streetcar left me behind.  I did catch up to it in the downtown (when it had to stop to pick up passengers...) but at Jarvis it pulled ahead again for good.    

Most nights I got back quite late (between midnight and 1 am), though one evening (Sunday?) I was able to stop off at Thai Room in Cabbagetown and pick up an order to go.  (Which reminds me - I was overhearing something about "Small Town Swingers" who already know everyone in town that would make a great song, if I get bored and want to see what happens after it gets passed through AI, though I hope I could do a better job...)

So I got a lot of exercise but not much reading time, which is generally the story of summer.  Nonetheless, I did finish The Leopard (though I still haven't watched the movie!) and Didion's Slouching Towards Bethlehem and reread Calvino's Invisible Cities.  I had hoped I would be further along with Richler's St. Urbain's Horseman, but I stalled out a while back.  I will go ahead and take that and Slouching Towards Kalamazoo on the Stratford trip this upcoming weekend.  After this I will alternate between the books in the first two categories in this list, with a bit more emphasis on getting through books piled high in the study.  I would say the next round of books will be Lord Vishnu's Love Handles, Canetti's Auto da Fe, Denis Johnson's Angels, Hollingshead's The Roaring Girl, Zevin's Tomorrow, and Tomorrow, and Tomorrow, Russo's Empire Falls and perhaps Matthiessen's Far Tortuga.  There are a few others likely to slip in there, but this would be a good start.

I'll just close with an anecdote that seems so Toronto.  On Sat., High and Low was an earlier screening than most of the others, and we left the theatre around 9.  I actually forgot my bike was parked further south (closer to Pizzazola's where I had had enough time to grab a slice before the show but was still annoyed I had missed out on dropping in at Bau-Xi by about five minutes, but that is a story for another time).  I retrieved my bike and started for home.  It was still so hot out, and I figured if I biked flat out I could probably make it over to the Kawartha Lake ice cream shop on Danforth by 10.  (It closes at 10 most days in the summer.)  So I did that, cutting up to Bloor around Parliament, as the terrain is flatter there than in Riverdale where it is a really steep hill.  And indeed, I made it over in 45 minutes, which is pretty good time (certainly faster than the typical transit time when you factor in waiting on the local bus...).  The line was fairly long, but I believe the general rule is that as long as you are in the store by 10 and in line, they will serve you.  Nonetheless, there was an older couple that got extremely offended when asked to vacate their table at 9:55, so the staff could clean up.  When we finally got to the counter, the couple in front of me just took their sweet time choosing two different samples each and then left without ordering anything!  Just the sense of entitlement of holding up the line at this late hour and then not ordering a thing.  So Toronto.  I actually saved half of my order and somehow got it home on the bike.  However, I did eat it in the morning rather than the next evening, which had been my original plan.  I really need to cut way back on those sorts of treats, and I definitely do not go as often as I used to, and I have cut back on chips and other snacks, though I could still do more.  I'm still stalled at 15-20 pounds over where I want to be.  Even 5 years ago it was definitely easier to lose weight, but the biking helps to some degree.

With that, I really need to go.

Tuesday, August 12, 2025

Summerworks Teaser

I definitely should have tried to post this sooner.  At any rate, I consider Summerworks, the even more experimental cousin of Fringe!  This year is of more interest to me than Summerworks has been for a few years.  I haven't been too interested since a couple of years before COVID hit, though I probably should have tried to see Bimbos in Space last summer.  Maybe if it comes around yet again...  (On that same note, I keep trying to score tickets to see Barbarella on the 23rd at The Revue.  I am half-tempted to rush it, as most people do get in, but I'd rather have some certainty before I go all the way out there...)

Anyway, I saw a staged reading of a play (or work in progress) called digitrans//analogirl.  I would say it had its moments but it tried too hard to be understanding and respectful of everyone's positions that there really wasn't much conflict, and of course live theatre thrives on conflict.  

I was definitely thinking about going to see Public Consumption, which has showings on Wed. and Thurs., but another production (presumably a bit more fleshed out) is going to happen at Factory this Nov., so I'll try to catch that. 

I was able to get tickets (for this Wed.) to see a site specific play called Le Concierge where you follow a school janitor on his rounds.  This could be pretty interesting or it might be extremely tedious (which is pretty much the nature of work).  This is sold out, so no point in going on and on about it.  (It's over on Lansdowne, so it will be another long bike ride after work tomorrow...)

But I am just back from a very odd play/theatrical experience called The Chains.  It really pushes that bounds of what is theatre at all.  You sit at tables (seating 4 or 6 people) in an assembly hall, taking a personality test.  The people at each table are encouraged to take turns reading out the questions, which are sort of in the shape of a story about young people gearing up to put on a performance of Antigone.  This lasts for 50 minutes.  Based on your responses, you are sorted into Team Antigone, Team Late-Antigone, Team Creon or the Chorus.  (I was tied and could have gone on Team Late-Antigone or with The Chorus and went with the Chorus, which was a good choice.)  And then collectively you put on a super abbreviated performance of Antigone.  So audience participation is turned up to 11 -- or even 15!  I don't think I've ever experienced anything quite like that.  Might be worth checking out if you are looking for something very different from just sitting back and letting a play wash over you.  It does appear there are still tickets for a few remaining shows this week. 

I hope soon (by this weekend) I finish up my post about the new season and what I am looking forward to seeing, as it is a very promising season, and I already have a lot of shows booked and in my calendar.  Ciao!

Monday, August 4, 2025

Down the (Music) Rabbit Hole

Every so often, I indulge myself and start chasing down obscure albums or even just songs.  In some cases, I end up buying the item, though I prefer to find the music on iTunes or Naxos.  This process usually takes a few hours, so I try not to indulge too often...

As one typical example, I stumbled across a Youtube channel, Cheap Heat, with 4 videos covering the Enja label, along with others (which I haven't played yet).  The first is here.  (Note that you absolutely need to put Enja in quotes, as otherwise you end up with an endless list of Enya videos...)  I believe many, though probably not all, of the recordings are on the Naxos Jazz app, so that is something that I will start exploring.  (And indeed at the bottom of the post, I will just make a list of all the records that I will see if I can listen to on Naxos or borrow at the library or decide if I do want to break down and buy them...)  I believe I originally came across the Youtube video, trying to find out more about Abdullah Ibrahim's Children of Africa.  I've certainly listened to some Enja in the past, mostly the Charles Mingus and Eric Dolphy recordings, which may be their best known releases.  And probably I have the Mal Waldron somewhere, as I have an awful lot of his recordings.  The Chet Baker "Peace" album is actually on iTunes, though many Enja albums are not, so I'll go ahead and listen to that now.  

As a digression within a digression (a recursion?), I remembered that one Chet Baker album was left out of the massive Jazz in Paris box set, and I had misremembered it was Peace, but in fact it was Broken Wing.  I think it was probably a strange rights issue that kept it from being included, even though it was actually listed as part of the contents of the mega box!  Anyway, I was able to track down a copy fairly easily at that time (2004!).  I also got general advice from the Organissimo jazz board on replacing a different missing disc from the series.  In fact, I basically joined Organissimo back in the day based on finding advice on things like the Jazz in Paris set to be so helpful.


Sadly, they were not able to help me track down a Thelonious Monk compilation (that I listened to in college 20 years before then!), and oddly those posts seem to have been deleted, maybe because some posters use to flounce out when they quit and try to remove all the threads they had posted in!  At this point, I really don't remember the details, though I think it probably wasn't the Hal Willner project, That's the Way I Feel Now (as great as that was -- and I probably should find that* and listen to it again).  

I was trying to track down a cassette, and I think it probably had Nutty and Friday the 13th and then Monk's version of Gershwin's Nice Work If You Can Get it.  This Something in Blue cassette is likely not it, but may be close enough that after I burn a version of it (as I have the complete Monk London Collection from Black Lion where this material comes from) and combine it with That's the Way I Feel Now into a super compilation, I can finally rest easy. 😉

It was quite the nostalgia trip looking through those old Organissimo posts.  What was particularly weird was in one post, I said I was picking up Jazz in Paris from Best Buy, and then in another one, I said that it had taken me 6 weeks to get the box from France after I ordered it on Amazon.fr!  I suppose the most likely reason for the discrepancy is Best Buy didn't actually have the item in stock after all, back in those early days of internet shopping when there was a huge mismatch between what the computer and the storeroom thought was "in stock"...

Organissimo is only a pale shadow of what it used to be 10 or 15 years ago, but I still get tipped to some interesting new or old releases, as well as a bunch of LPs that never made it to CD.  There is a thread solely covering LPs that never made it to CD, which is particularly threatening to my wallet, though with the passing of time, some of them get added to iTunes or just Youtube (for instance I am currently listening to Buddy Montgomery ‎– This Rather Than That).  Not sure it has really been discussed in that thread, but there is a whole series called Jazz Slows, most of which are late night mood music from France's Black and Blue label featuring Buddy Tate and Milt Buckner, but sadly/oddly these have not turned up anywhere else or been digitized.  I might finally break down and order some, though I have to say the very risque covers makes it a bit of a challenge to send to family and friends (for those many cases where shipping to Canada is prohibitively expensive or just prohibited altogether).

To get back to the specific rabbit hole from this morning, which I have been chasing for a few hours, someone's Organissimo post tipped me off to Lloyd McNeill's Treasures, which is on iTunes, and this led quickly to McNeill's Washington Suite.  I liked this quite a bit.  One of the tracks, "Fountain in the Circle," opens with a blat from a bassoon.  While there have been a few jazz tracks that include bassoon, it's a fairly rare thing.  Anyway, this particular bassoonist, Kenneth Pasmanick, also played on a couple of albums by Charlie Byrd and some tracks by Mel Powell.  The Charlie Byrd albums are not available as stand-alone items, but the music itself is available through some PD (public domain) compilations on iTunes, so I'll listen to them tonight.  

But I was really struggling with the Mel Powell tracks; Powell is mostly known as a side man for Glenn Miller and Benny Goodman, but he had a few recordings under his own name.  It turns out that most of his Capitol recordings are available in various places.  Avid actually has a 2-fer that covers 4.5 of his albums (and it is just within the realm of possibility that I actually own this!), but there is a compilation called Piano Prodigy that combines some Capitol recordings and some very early Commodore recordings.  (There is also weird compilation of Mel Powell and Mary Lou Williams called Two Cats and a Mouse (on Definitive) though this seems to lean on Capitol recordings which are still available.)  Piano Prodigy kicks off with three very early Commodore tracks, and two of these show up on the Commodore Piano Anthology, but "Hallelujah" (1943) was left off.  I mean I am a bit of a completist, but I am not going to buy a CD for a single track that I am sure I would only listen to a couple of times!  

What makes this extremely frustrating is that the Mel Powell bassoon tracks are on something called "Sketches," which apparently is more of a classical piece or maybe the precursor to Third Stream music.  While I am sure it is interesting, it isn't bassoon in jazz proper, and again I wouldn't listen to it more than a few times.  This doesn't seem to show up anywhere except in the Complete Commodore Recordings Vol. 3 box from Mosaic, which is long OOP.  (And "Hallelujah" (1943) is in the Vol. 1 box!)  I remember ages ago, some of these Commodore boxes were on sale at Reckless Records in Chicago, but I can't remember which (or indeed if they had all of them).  If it weren't for the fact these are LP only sets(!), I might have been more tempted.  Frankly, it is a bit inconceivable that Avid or some other PD company hasn't put out a Commodore set by now as it should be in the public domain in the States despite the shenanigans of periodically extending copyright, though I suspect it is simply the sheer work that would be involved in transferring these from LP to digital that prevents them from doing so.  So this sadly, seems like it will end as a dead end, as I can't see picking up these Commodore box sets any time soon (or indeed ever), though maybe in a few years if the trade wars wind down, I would at least consider it, though shipping that many LPs would cost an arm and a leg, even within the States.  So unless I run across a Canadian collector who decides to part with one or more of the Commodore boxes, I think I will just have to put this out of my mind, and focus instead on the vastness of the music that is available to me...

 

Enja Recordings of Note:

Bobby Jones “Hill Country Suite” (enja2046, 1974)
Hal Galper Quintet “Speak With A Single Voice” (Century Records CR-1120, 1979)
Franco Ambrosetti Quintet w Bennie Wallace “Close Encounter” (inner City 3026, 1978)
Bennie Wallace “Big Jim’s Tango” (enja4046, 1983)
Bennie Wallace Trio “… & Chick Corea” (enja4028, 1982)
Bob Degen Trio “Celebrations” (Calig CAL 30 602, 1968)
Bob Degen “Sequoia Song” (enja2072, 1976)
Bob Degen “Children of the Night” (Inner City IC3027, 1979)
Marty Cook & the New York Sound Explosion “Trance” (Circle Records RK31279/20, 1980)
Marty Cook Group “Red, White, Black & Blue” (Enja / Tutu Records 5067, 1988)
Marty Cook Group w/ Jim Pepper “Nightwork” (enja 5033, 1986)
Jim Pepper “Dakota Song” (enja 5043, 1987)
Abdullah Ibrahim “Mindif” (enja R1 79601, 1988)
Abdullah Ibrahim (Dollar Brand) “Children of Africa” (Inner City 3003, 1977)
Kenny Barron “Scratch” (enja 4092, 1985)
John Stubblefield “Bushman Song” (enja 5015, 1986)
Reflexionen “Remember To Remember” (enja 5057, Germany — 1987)
Reflexionen - "Reflexionen"  (Timeless – SJP 199 Netherlands — 1984)
Reflexionen “Live” (Timeless  - SJP 234, Netherlands — 1986)
Marty Ehrlich “Pliant Plaint” (Enja 5056, Germany - 1988)
Mark Helias “The Current Set” (Enja 5041, Canada - 1987)
Mark Helias “Split Image” (Enja 4086, Germany - 1985)
Ray Anderson “It Just So Happens” (Enja 5037, Canada - 1987)
Aki Takase Trio “Song For Hope: Live at the Berlin Jazz Festival” (Enja 28MJ 3136, Japan - 1982)
Charlie Rouse “Upper Manhattan Jazz Society” (Enja 4090, Canada - 198?)
Attila Zoller “Memories of Pannonia” (Enja 5027, Canada - 1986)
Attila Zoller “Dream Bells” (Enja 2078, Germany - 1976)
Abdullah Ibrahim (Dollar Brand) “African Space Program” (Enja 2032, US - 1974)
Elvin Jones “Live at the Village Vanguard” (Enja 2036, US - 197?)
Nana Simopoulos “Wings and Air”
David Friedman “Futures Passed”
David Friedman “Of the Wind’s Eye”
David Friedman “Shades of Change”
David Friedman “Winter Love, April Joy”
Bennie Wallace & the Biloxi Blues Ensemble “Sweeping Through the City”
George Adams, Hannibal & Friends “More Sightings”
Hannibal (Marvin Peterson) “Angels of Atlanta”
Hannibal (Marvin Peterson) “…in Antibes”
Franco Ambrosetti & Friends “Movies”
Barbara Dennerlein “Hot Stuff”
Benny Bailey “Islands”
Blue Box “Sweet Machine”
Blue Box “Stambul Boogie”
Chet Baker “Peace”
Mal Waldron "Black Glory"
Mal Waldron - “Mingus Lives”
Mal Waldron - “What It Is”
Mal Waldron - “…Plays The Blues”
Mal Waldron & Gary Peacock - “First Encounter” (Catalyst CAT-7906) not on ENJA!
Marc Levin - “Social Sketches”
Joint Venture - Joint Venture
Various Artists (Hutcherson, Shepp, Krog, Evans) - “Live at the Festival”
Karl Berger - “With Silence”; “Crystal Fire” (CD)
Albert Mangelsdorff - “Live in Tokyo”
Mangelsdorff w/Masahiko Sato - “Spontaneous”
Masahiko Sato “Trinity”
Yosuke Yamashita & Adelhard Roidinger - “Inner Space”
Yosuke Yamashita Trio - “Clay” and “A Tribute to Mal Waldron”
Takeo Moriyama - “Green River”
Terumasa Hino - “Vibrations”

 

* I actually found the 2 LP set in the first place I was looking for it, and I am sure at some point I digitized this, but don't see those files, so I may listen to it tonight and plan on digitizing it again in the nearish future.  The LP version has 6 songs missing from the CD version, so it is really the way to go.

Kurosawa Update

I was planning on pasting together a full list of Kurosawa's films and my progress through his films, but I see I did this over 10 years ago!  So I will just go back to that list and update there.  Interestingly, back then (2013), I had said I had only seen Ran and Dreams on the big screen, though I am fairly sure I actually had seen Rashomon as well at the Film Forum in NYC but had blanked on it at the time.  At any rate, even if I had missed it back then, I saw it at the Revue last March.  So this implies that I had only watched Ikiru on video up until that point, and I will see Ikiru over at The Revue tonight in a new restoration.  I adored this the first time, but was much less taken the second time.  Let's see how I feel tonight after the third go-around.

Having watched The Hidden Fortress, Seven Samurai and Stray Dog over the weekend at the Revue, I am up to 15 (of 30 films), with 2 more films new to me to come this week (Throne of Blood and Sanjuro).  It looks like I will then have managed to watch all or nearly all of his samurai films, depending on if one includes the late film, Kagemusha: The Shadow Warrior.

I will say that after this major festival, I will have seen pretty much all of his best films (and on the big screen!) with the possible exception of The Bad Sleep Well and perhaps Red Beard.  (I think The Bad Sleep Well may have come around to the Paradise or more likely Tiff, but I just couldn't make it, so I will keep my eyes open for it if it comes around again.) 

As I mentioned way back when, I have the massive Kurosawa box set, which includes 25 of his 30 films.  It is pretty amazing, though sadly it is very bare bones, aside from a nice book that comes along with it.  I have to say, it really is a shame that It is Wonderful to Create (a 21 part documentary on Kurosawa specifically for his films for Toho Studios) was not made available on the box set.  One thing that I probably should do, especially as I do own Ran and Ikiru, is borrow the other DVDs with special features and just rip this into one place.  I will go back to the original post and make notes on which DVDs I would need to borrow to achieve this.  This sounds like a potential fall/winter project.  However, it will probably never be complete, as the episodes that correspond with movies that came out on the "budget" Eclipse series never had the documentary bonus features at all.  It really is surprising that Toho Studio won't license the whole thing to Janus.  I'm sure enough there would be plenty of buyers if it came out by itself on Blu-Ray or something.*

One other note about the box set is that 5 films are missing, mostly his later ones.  The ones not on the box are The Quiet Duel, Dersu Uzala, Ran, Dreams and Rhapsody in August.  Ran is certainly the most significant omission, but I wish the box had Dreams and Rhapsody in August as well.  I own a copy of Ran (picked up when it was only a bit OOP and not extremely expensive) and Dreams.  I believe I sourced Dersu Uzala and Rhapsody in August as well, though I will need to dig around to find them.  It turns out that Robarts has a copy of The Quiet Duel, so I requested that.

As it happens I had planned to go through the whole box back in 2013/14 (while I was on my own in Vancouver), but that didn't happen.  I actually don't remember much about those early films.  I think I did think No Regrets for Our Youth had some similarities to Bergman's Wild Strawberries, but that may be completely off-base.  I do recall that I thought the ending of One Wonderful Sunday was completely inane, though that wasn't why I stopped the project.  I just got busy with work. 

Maybe I will see if I can watch Drunken Angel and then The Quiet Duel** when I pick it up from Robarts.  I also would really like to watch Rhapsody in August before August is over!  (Speaking of work interfering with pleasure, I suspect the reason I didn't see Rhapsody in August when it came out in 1991 was that it was released in the US in Dec. 1991, and I was just barely keeping my head above water as a new teacher in Newark.  It would have been playing in Manhattan but certainly not anywhere where I was living.  Still a bit of a missed opportunity...)   Then this fall and winter, I may start making my way through the rest of the films.  It would be down to 10 or so remaining, which isn't so incredibly daunting. 

* Another fantasy wish project would be if the original cut of The Idiot was made available.  Apparently, Kurosawa delivered a 4+ hour movie of the whole novel which was then hacked down to under 3 hours (shades of Welles and The Magnificent Ambersons).  One can only dream. 

** Well, this is most amusing.  I tracked down Rhapsody in August, which I indeed own.  But it turns out I have a copy of The Quiet Duel as well!  I might as well leave my request in place to see if the Robarts copy has different bonus features.  I thought I had a region-free copy of Dersu Uzala, but maybe not.  It looks like there is a version from Kino floating about and is at the TPL, so I'll just request that as well.  What makes this even a bit droller, is that as I was putting the books back (my DVDs are mostly hidden behind the books), I ran across De Filippo's Four Plays, which I had assumed was in a box in the basement, but is actually a compact version up on the main floor.  So another mystery solved...