The weather was much better on Sat. than on Sun. when I was to head out to the Shaw Festival. Still, Sat. morning was pretty overcast and even a bit chilly for Aug., so I was leaning towards ditching the company picnic altogether. I got a late start at the gym and then did an abbreviated workout. I wasn't too proud of that, but at least I didn't ditch it all together after getting off track last weekend. (And on Thurs. I did squeeze in 18 laps at the pool.) I did get on the stationary bikes and managed to skim through the script for Wohl's American Hero, which is a pretty grim comedy about the impact of late capitalism on average workers at a sandwich shop akin to Subway.
But the weather did improve a lot on Sat., and I decided at more or less the last minute I would try to bike up to Sherway Gardens, which was where the company picnic was being held. Getting up to the Don Valley wasn't that bad, but then it was really unpleasant after that as Laird is a very high speed road without a bike lane. Just in general trying to bike in what used to be East York (or Scarborough) is so dangerous. So I wasn't in the best of moods when I finally made it there. I did eat a bit, and chatted a bit, then had to turn back around and head to downtown on Mt. Pleasant Rd., which was generally better aside from tangling with a bus at one point.
I made it back downtown and had about 25 minutes before The Odyssey. Some minor SPOILERS if you have been under a rock and not read any reviews of Nolan's version of The Odyssey.
SPOILERS
I decided to go over to Robarts and drop off American Hero and pick up a couple of poetry books on the hold shelf. I also changed into a different shirt, as the one I was wearing was quite sweaty by this point. I made it back to Yonge and Dundas and up to the theatre (up on the 4th floor) with about 5 minutes to spare, though of course there were 10 minutes of previews. I liked the fact that Nolan went into some of the slightly obscure details, including the fact that Odysseus warned the men not to slaughter the cattle of Helios the Sun God, but they did anyway after they had been stuck on the island for weeks (it is much more clear in Homer that Zeus was the one keeping them trapped, but Nolan really, really downplays the gods in his movie (I suppose because he thought making this like Clash of the Titans would be too kitschy, but I do think it was a misstep)). I also liked the detail that one of the suitors managed to break into the storeroom where the arms were stored and get some over to the rest of the suitors before he was killed. What I really didn't like was Odysseus taking on all of the suitors on his own, like a superhero almost, whereas in Homer, Telemachus is much more active and kills many of the suitors,* and they also have a lot of help from the swineherd (who is not a blinded bystander) and one more loyal servant, the ox-herder, I believe.** Nolan wants this ending, as he can't imagine an ending where Odysseus manages to keep his throne without Athena stepping in and putting down the uprising of the suitors' families, as actually happens in The Odyssey. So Nolan has imposed a far more "realistic" ending on but at the cost of rewriting the Odyssey completely (and not very convincingly as Telemachus still doesn't seem remotely ready to rule Ithaca). And as I think I mentioned already, this side-steps the whole question of Penelope bringing up the bed riddle as a final test, which in the poem sets the stage for his true homecoming, where here he has no intention of spending any time in Ithaca. So I didn't like that at all, as I thought it undercut the entire point of The Odyssey. I also wasn't too thrilled about how he changed the Calypso story around a fair bit, again I think mostly to avoid having to have the gods turn up and force Calypso to give Odysseus up. He absolutely wanted this to be a human-focused epic, which seems pretty bizarre given the source material.
Afterwards, I went over to this Asian (mostly Thai) festival at Yonge-Dundas Square. There were very few safe vegetarian options, so I just got some ice cream. I went over to BMV and looked around a bit, though didn't see anything I really wanted. Then I biked down to work and did a few hours scanning stuff, then finally went home.
Sunday I had to wake up fairly early, then biked downtown. It was overcast and sprinkling just a bit, but I was glad to have my bike available at the end of the day. The bus ride to Niagara-on-the-Lake was smooth, and we got there a bit early. Almost too early, as the place I often eat at wasn't going to start serving sandwiches for another 45 minutes. I wandered around downtown a bit, reminding myself why I dislike Niagara-on-the-Lake so much (it is tacky, geared entirely towards tourists (and lower class tourists at that), and there are no safe ways to cross the street in the downtown). I did find a decent Thai place and ate there, then went to the theatre early to keep reading The Adventures of Amina al-Sirafi.
It's kind of hard to review Heartbreak House. I will say I thought the director's vision was not a good one, very gimmicky and not at all respectful of the play. I did enjoy seeing Tom Rooney as the enigmatic, eccentric captain, and his two daughters were entertaining as well, though their parts were shallow (and the pining brother-in-law was not welcome).
But the play itself is just not very good (with much of it taken up with quips about why women shouldn't be just as ruthless in pursuing marriage as men were in ruining others (including their partners) in business -- and one of the final twists in the sphere of romance was truly stomach-curdling), and it was certainly undermined by the director and his decision to have two servants shouting out the stage directions, which reminded me unfavourably of Schimmelpfennig's Winter Solstice, which I absolutely hated when Canadian Stage put it on. Shaw wants to be as witty as Oscar Wilde, but most of his witticisms don't land, and he is just obsessed with Shakespeare (and how in his own mind he is a much better playwright than Shakespeare). We get it G.B., but you simply aren't better than Shakespeare.
I'm very torn because there are four(!) potential plays of interest at Shaw next season, but I don't have any intention of coming back that often (and yet I really don't want to stay overnight in Niagara-on-the-Lake). They are doing Arsenic and Old Lace, which I've never seen as a stage production; I think I did pass a chance to see it in Hamilton, so I may well pass on it again, given the challenges in getting there. Then Shaw's Arms and the Man, which I may have seen but it would have been 20+ years ago. Then the Goblins are doing Pygmalion. This will surely be fun, but it does seem just an excuse to make an appearance at Shaw. I don't think Pygmalion is even one of Shaw's five best works... Finally, Stoppard's Jumpers. While I think I would prefer to see Travesties again (though I am not willing to go to Raleigh to see it!), I will almost certainly go see this, making the trek out there next year at least once. If I knew for certain which of these would transfer to the Harbourfront, that would help with my planning, but I don't think they know yet. My money would be on some musical (South Pacific?) and Deathtrap, but I might get lucky and they bring Arsenic and Old Lace to Toronto. So most likely, I will go see Jumpers and call it a season, but if I can combine it with the Goblins, I might stay overnight, as much as I would prefer to avoid that.
The trip back wasn't too bad, though we got snarled in traffic (esp. on the Gardiner), and it took 2.5 hours, which is pretty typical, unfortunately. I made it through all but the last 20 pages of my book, and those I finished up while eating dinner at Union Station (I was pretty famished). I enjoyed it a fair bit, though it is hardly classic literature. From the reviews of the sequel (this is part of a trilogy!), there is a huge cliff-hanger at the end, so I probably ought to hold off until the third book is published. I have a fair bit of poetry to work through, and I think the next books I will read are Thien's The Book of Records, Harvey's Orbital and then Giovanni's Room (whenever it turns up at the library).
Overall, not a bad trip, though I certainly wish the play had been better. I also managed to ruin yet another backpack, trying to carry too much stuff back home from the grocery store. Sigh. It looks like there is going to be a lot of rain this week, and I've decided to pass on Squeeze after all, and I will probably have to move the BBQ (ideally to Friday but if there are too many objections, then I will see about the following week).
* The death of the disloyal maids is strongly hinted at, but we don't see any of them die on-screen, and we certainly don't have Telemachus string them all up. Again, Nolan wants Telemachus's hands to be (unrealistically) free of blood in order to set up his future rule, and again, I think this does serious violence to meaning of The Odyssey to the point the movie is visually compelling epic but, in the end, it really is just not The Odyssey.
** I certainly can't prove it, but the four of them together slaughtering all the suitors (with Odysseus and Telemachus as the main killing machines) in Homer's version reminded me a great deal of Edgar Rice Burroughs and his tales of the nearly unstoppable killing machine John Carter of Mars. I really would not at all be surprised if he was borrowing from Homer in those novels.














