Tuesday, October 31, 2023

October Round-Up

The month went a lot quicker than I was expecting.  In some cases that was because I was struggling to catch up on work, after days that were filled with too many pointless meetings and/or I couldn't complete tasks because I was waiting on other people to confirm some key input.  Other weeks, I simply crammed too much in, and then after trying to keep up with my modified workout regimen, I was too tired to write down my thoughts.  I think I'll still get around to writing up the trip to Detroit and a side trip to the McMichael on the Art Bus separately.  I'll see if I can cram everything else into this one post, but it may get too unwieldy.

Work just feels like the death by a thousand cuts. Every week there is some new outrage, and in fact they are starting to gear up to introduce a quite dire open-space concept on us. I have to say I am not willing to live through this again and am accelerating my exit plans. I can't say more than that for obvious reasons. I did find an acceptable but not great workaround for my bike woes. One of the consultants we work with has a bike parking area in their garage and, crucially, you don't need a building pass to access the area, but it is definitely well outside the public view, which was the problem with the bike racks in front of Union Station. Indeed, one of my co-workers had his bike stolen the week after they started cracking down on us to prevent us from bringing bikes into the office!  It's not ideal, as it is about a 10 minute walk to my office, and that will be even worse as it gets colder, but it will do for now.

Working backwards, I was planning on checking out Spirited Away up in Richmond Hill this Monday, but the times would not line up, esp. needing to budget in so much travel time, and I decided I should go on Thursday instead.  I thought I would just come home on Monday instead (and maybe go to the gym), but I got an email from Soundstreams reminding me that I had signed up for this concert featuring Morton Feldman's Rothko Chapel.  So I schlepped up to Bathurst and Eglinton after work.  It turned out that it was really more of a teaser for the concert, which is in a couple of weeks at TD Stage (right next to Massey Hall).  Instead, this was a panel by an art historian, talking about Mark Rothko and his art hanging in a chapel in Houston, a musicologist talking about Morton Feldman and his work, the composer of a new work, riffing off both Rothko and Feldman, and a lighting designer (the last talk I could have lived without).  They played moderate length excerpts from both Rothko Chapel and the new work (the name of which escapes me).  I probably would not have gone if I had known exactly how the evening turned out, but it was informative.  It does look like I can make the actual show, and, as a bonus, anyone attending that night's (free) program got a coupon for 20% off the tickets.  Transit actually worked out ok for me, though they did skip Spadina station due to a security incident.  

Just the day before they didn't tell anyone that they were skipping Bloor-Yonge station due to some other security incident until I had already boarded the train.  Otherwise, I could have gone up the University side to St. George.  I was able to transfer at College to the streetcar, but it was a fairly slow, annoying trip.  It truly has gotten to the point where every single trip I hear about a major breakdown, or some intruder on the tracks shutting down the line or a "security incident" -- and roughly once a week this impacts me significantly.  Only the previous week, we had convinced our daughter to take the streetcar to school by herself and there was a major car accident that halted all streetcars on Gerrard going west. If she had been east of Broadview or even Parliament, they might have been able to divert around the accident using Dundas, but she was too far west by that point and the assistance they gave to passengers was next to useless.  After a lot of texting back and forth, we finally just got her to come back home on the next eastbound streetcar.

However, that is nothing compared to the day I was trying to get back to UT for the last day of the Marc Chagall and the Bible show.  It was always going to be tight, since I was heading over to Soulpepper to catch Wildwoman after that, but I should have had about 20 minutes to take it all in a second time.  Instead, some idiotic teenagers called in a bomb threat while on a subway train(!) and they shut down Line 1 more or less completely.  This was so infuriating.  I ended up going back upstairs and working another half hour, then walked up to King to get the streetcar to the Distillery District.  (It certainly did not help my mood that if I had been able to ride my bike to work at that time, none of this would have been an issue at all...)  As upsetting as the day was, I will say that I enjoyed Wildwoman quite a bit.  I had seen it in a staged reading a couple of years ago, during the pandemic in fact, and while the basic plot was the same, it was faster paced and a bit funnier this time around.  And of course the lavish costumes also helped me immerse myself into the world of the play.

Anyway, this episode led somewhat naturally to an interest in seeing how many books on Chagall and the Bible or Chagall and lithographs Robarts has.  The answer is quite a few, and I am trying desperately to read them in the two weeks before they are due.  Actually, several of the books only had two days on them, not two weeks!  I realized that my borrowing privileges had expired and I needed to renew my card.  (It would have been nice to at least gotten a warning!)  Anyway, after I renewed one of the librarians took pity on me and got me the full two weeks on the books I had checked out.  So I have been looking through a lot of art history books.  In addition to the Chagall, there is a new Tom Thomson book based on the McMichael exhibit, and I was able to borrow that from the UVic library.

In terms of other books I am reading, I was able to finish the other two books in the Bandini Quartet.  Ask the Dust is the best of the bunch.  I wasn't crazy about it, but I didn't dislike it nearly as much as the others.  I also managed to get through quite a few short novels that Mahfouz wrote in the 1960s: The Thief and the Dogs, Autumn Quail and The Search.  I really didn't care for Autumn Quail, as I thought the narrator was a total drip.  In fact, I didn't like the main characters of any of these 3 novels.  However, The Search actually did have some interesting parallels to Crime and Punishment, which I assume Mahfouz was at least vaguely aware of.  I was only moderately interested in the family secrets revealed in Angela Carter's Wise Children, but then I absolutely hated the final chapter, to the point I don't think this will show up anywhere on my best reads of 2023 list, which is fairly thin to date...

One book that was quite different than I was expecting was Anecdotes by Kathryn Mockler.  I was assuming it was a poetry collection.  Instead, it is a book of micro-fiction (most of which were incredibly depressing) with an extended conversation or perhaps conversational poem at the heart of the book.  In many ways, this really spoke to me, even though it was pretty bleak.  Here is a sampling: "Let's say you live on a planet with limited resources and a complex biosphere, and all your activities threaten the survival of all species including your own.  What do you do?"  Also "Did we do everything we could?" "Nope."  I think someone said this was part of the vanguard of post-hope literature.  There will likely be a lot more of this going forward.  I think Joy Williams's The Quick and the Dead also fits into this category.  I've actually been trying to get this from Robarts for a few months now, but whoever has it out keeps renewing it.  If it gets to be spring (which is about the time I should get to it according to this list) and I still can't borrow the book from Robarts, I'll probably just order a copy.  


This was our fairly low-key set-up for the evening.  The real pumpkin on the step has a raccoon face carved by my daughter!

It looks like the trick-or-treating is done for the evening.  I was a bit stingy with the candy as there were a few more kids than I was expecting early on, though it died down.  Actually almost the entire batch of kids came through between 6:30 and 7:30 with only a few stragglers.  Surprisingly, these stragglers weren't older teens.  I'm really glad it didn't rain, even though it was nippy.  A few of the costumes were really quite good.  I do like Halloween a fair bit, though I guess it isn't my very favourite holiday.  I have just a bit of candy left over, but not enough to feel like a pig, and I'll probably take most of the leftovers to work.  I'm going to run to the gym now, and then I'll see if I can wrap up the month-long recap when I get back.

Saturday, October 14, 2023

Books on the Bus

It was much closer than it should have been (because the cab I had ordered for the morning never showed up and the front desk had to order a gypsy cab at the last minute), but I did catch the bus back from Detroit.  I was glad to visit the DIA again after probably 25 years, but I don't think I'll go again, given how stressful it was visiting the city.  I'll write about the DIA later in the week.

I will say right up front, I didn't read nearly as much as I expected.  I had to tune into two different work calls, though I finally broke when we hit the border.  So that was close to 90 minutes I lost where I wasn't reading.  I was also alternating between John O'Hara's The Farmers Hotel (a very short novel) and Wait Until Spring, Bandini by John Fante.  I guess neither of them were really amazing.  The plotting and dialogue in The Farmers Hotel felt pretty false to me.  But I really didn't care much for Wait Until Spring, Bandini.  I guess it is a minority position, but I find Arturo to be a very pathetic and actually repugnant character (maybe even a "deplorable" one).  It's one thing to be downtrodden (and yet still acting like life owes you something) but another altogether to take this out on women or to try to put other people down, which Arturo admits is his primary motivation (while at his job at the cannery).  In pretty much every book in the Quartet he ends up stealing money or jewelry from his mother and just in general acts like a shitheel and/or a pompous fool (the outsize self-importance without anything to back it up is so similar to Holden Caulfield plus Walter Mitty's dreaming).  He's particularly racist in The Road to Los Angeles (which I really hated) and fairly racist in Ask the Dust.  I suppose it doesn't matter that much, but his family situation and whether he has brothers or sisters is different in each book as well!  I really don't get the appeal of these novels.

At any rate, I managed to read the last page of The Road to Los Angeles as the bus pulled into the depot in Toronto.  I probably should just bail on the other two, but I guess I would just like to read them (as cult classics) and then get them out of the house, never to think of them again.  If I ever do read Catcher in the Rye, I must give myself permission to quit if the writing or more specifically Holden is annoying me, which I strongly suspect will be the case.

I don't have much more left on Madame Bovary, so I think I'll wrap that up next, then Ask the Dust, switch over to Angela Carter's Wise Children and then finally Dreams from Bunker Hill.  I wish it didn't feel quite so much like an obligation at this point.

Wednesday, October 11, 2023

Sign to Chagall

This is another very good example of where a sign or banner actually gave me useful information about something of interest to me.  I was biking home from Robarts and saw a banner that said Chagall and the Bible.  This is an interior sign and not the banner that I was looking at, but it was similar.

I probably went by several times before seeing it, though I don't believe the banner was up in early May and June, but I could definitely be wrong.

I went home and did some internet sleuthing, and found that Wycliffe College at UToronto was indeed hosting a small art show on Chagall and the Bible.  The core information is here.  I was a bit peeved to find that the gallery was closed that Sat. for a private event, which seemed a bit uncalled for.  I also was not going to be able to go this upcoming Sat., as I will be coming back from Detroit.  However, they did have evening hours on Tues., so I swung by yesterday.

It is a compact but quite nice exhibit.  I'll just post a few of the lithographs that caught my attention.

Marc Chagall, Creation, ca. 1960

Marc Chagall, Ahasuerus Banishes Vashti, ca. 1960

Marc Chagall, Christ in the Clock 1957

Many of my photos didn't come out that well, and I do wish they actually had a small publication with all of these images.  They didn't have any on sale there, but I will poke around a bit and see if they are collected in one place (at a reasonable price!).

In terms of the remaining days to see the exhibit:

Friday,  Oct. 13: 2:00 p.m. – 5:30 p.m. and 6:00 p.m. – 8:00 p.m.

Saturday, Oct. 14: 1:00 p.m. – 5:00 p.m.

Tuesday, Oct. 17: 2:00 p.m. – 6 p.m. and 6:30 p.m. – 8:00 p.m.

And then it's gone.  I may see if I can stop in one more time on the last day.


Sunday, October 1, 2023

The Bricks

This post is not about the BRICs coalition (though I certainly have some choice thoughts on how unhelpful they have been collectively during the invasion of Ukraine), but about books (or book series) that are very long and are (to many readers) intimidating.  Some people call them door-stoppers.

I've gotten through quite a number of them and enjoyed some very much.  Dos Passos's U.S.A. Trilogy is one that probably should not be overlooked, even though it has fallen somewhat out of fashion.  I did struggle a fair bit with Mann's The Magic Mountain and especially Musil's The Man without Qualities.  The grand-daddy of them all, of course, is Proust, which I've written about already.  And in fact, I've even written previously about my thoughts on the next mega-book to read.  Since that post, I did get through The Magic Mountain and reread Crime and Punishment and Don Quixote and even Bellow's The Adventures of Augie March, but I did not make as much progress as I wanted or had hoped on a few others.  

I was wavering on going to Detroit in a couple of weeks, esp. after it looked like the fed. govt. was about to shut down, making the border guards all cranky and adding a lot of time to the customs queues, but now there is a 45 day reprieve, so I think I'll just go ahead and do it.  On this trip, I think I'll take Fante's The Bandini Quartet .  On a scheduled mid. Nov. trip to Montreal, I plan to take Perec's Life, A User's Manual .  So I fully expect to be through these two before December, which would be great. 

I guess I'll just list the rest of them here*:
Atwood MaddAdam trilogy
Canetti Memoirs (The Tongue Set Free/The Torch in My Ear/The Play of the Eyes)
Doblin Berlin Alexanderplatz
Dostoevsky The Brothers Karamazov (this would be a rereading)
Durrell The Alexandria Quartet (ditto)
Frederick Exley A Fan's Notes & Pages From a Cold Island & Last Notes From Home
James Farrell Studs Lonigan trilogy 
Faulkner The Snopes Trilogy (The Hamlet/The Town/The Mansion)
Fontane Before the Storm
Richard Ford The Bascombe trilogy & Let Me Frank with You & Be Mine
Leon Forrest Divine Days
Carlos Fuentes Terra Nostra
Gaddis The Recognitions
Grossman Stalingrad & Life and Fate
Hugo Les Miserables
Lessing The Children of Violence series
Mann Buddenbrooks
Olivia Manning The Balkan Trilogy
Olivia Manning The Levant Trilogy
Joseph McElroy Women and Men
A. Munif The Cities of Salt Trilogy**
Alvaro Mutis The Adventures and Misadventures of Maqroll (NYRB)
Anais Nin Cities of the Interior
Pynchon Against the Day
Pynchon Gravity's Rainbow (potential reread)
Philip Roth Nemeses (LOA) (Everyman/Indignation/The Humbling/Nemesis)
Philip Roth The Zukerman Trilogy (rereading) & Exit Ghost
Richard Russo The Sully Trilogy (Nobody's Fool/Everybody's Fool/Somebody's Fool)
Tolstoy War and Peace
Trollope The Barsetshire series
Trollope He Knew He Was Right
Waugh The Sword of Honour trilogy

Looking at the list, it is still certainly a daunting one, but some books will be more entertaining than others, and some will be fairly easy, if long, reads; I think I have finally reached the point where I can drop books, even "must-read-before-one-dies" books, more readily, so that may help as well.  I suspect the two most daunting for me are Les Miserables and War and Peace.  One notable book not on the list is Joyce's Finnegan's Wake.  I may listen to this one day but am just not sure I want to attempt to read the book, but I reserve the right to change my mind.  

I'm not going to add all the many non-fiction books that should perhaps be on this list, but I will mention that I hope to finally get through Adam Smith's The Wealth of Nations (one day) and de Tocqueville's Democracy in America (hopefully before it is extinguished) and The Journals of Lewis and Clark.  I guess I should note that I literally used Robert Burton's The Anatomy of Melancholy (NYRB) as an actual door stop for a while.  It's pretty close to the bottom of the list, but I would like to skim through it one of these days.

* I could probably add every novel by Dickens to the list, but I will refrain.

** I often forget about this one, which I actually own, but now that I have reminded myself of it, I will try to make a push to read it (and the Mutis) at some point in 2024.

 I also have not added Mann's Joseph and His Brothers, which I have little desire to read at the moment, but of course that may change in the future.