In general, I would still agree with most of the assessments in the paper, though I am sorry that I wasn't more specific up front about Stephen's relation to the main character, Elaine. He is her older brother. I noted one thing that I liked about the novel, that while it is written from first-person perspective, the interpretation of events shifts and the past gets cloudy (so this isn't an omniscient narrator by any means). The time period shifts regularly, so we are back in the outskirts of Toronto in the 1940s, for instance, and not merely in the present with Elaine casting her mind back to 1940. I thought this was particularly useful in watching her relationship with Cordelia unfold. I was struck, then and particularly now, that while much of Elaine's life actually took place in Vancouver, all her mental energy (and 97% of the book's pages) are concentrated on Toronto.
I think this time around I was a bit more attuned to Elaine and her relationships, whereas the first go-around I was concentrating a bit more heavily on Toronto as a setting (and a setting that changed over time as the city continued to develop and it became much less rural on the outskirts). I'm not really sure how much more I can add at the moment, particularly since I don't want to repeat what I wrote in the term paper. Anyway, I was glad to reread the book, and I have moved on to Findley's Headhunter (for a totally different take on Toronto).
Actually, I have returned to add a few more comments. Enough time has passed since the last time I read this book (dangerously close to 20 years ago) that I had forgotten a few key plot points. Much of it came back to me relatively quickly, and I sometimes found myself anticipating events. However, I had kind of repressed a bit about Stephen (perhaps because I identified with him more at that time), and it suddenly dawned on me where Atwood was going, and I was kind of unhappy all over again. I wonder if I do reread the book a third time if I would succeed in forgetting again. Anyway, it is interesting that the painting that generally graces the cover of the book itself links everything together -- the event depicted in the painting is one of the turning points of Elaine's young life (when she came close to dying in the frozen creek near her house) and the title "Unified Field Theory" is a bit of a nod in the direction of her brother's profession (physics).
While the parallel isn't exact, much of the book is prismatic and sort of reflects the vantage point of someone who could step outside time and see a person's entire life. This is supposedly the vantage point of Dr. Manhattan (the naked blue guy in the Watchmen comic). I think the one area Atwood is being just a bit too pat is how you see the early life experiences and how they are directly feeding into Elaine's later paintings (even if, in some cases, she no longer can recall the linkage). Maybe if we did see the paintings it would be more apparent how these experience were translated and transmuted the way a creative person would go about it. It's not a major criticism, but I would have thought she could have been a bit more subtle here.
I haven't read this book, I have seen it on my sister's bookshel. Perhaps one of these days. Thanks for sharing your comments.
ReplyDeleteIt is a long book but rewarding if you are patient. Still perhaps a book best read (for the first time) in one's 30s or 40s. FWIW, I like it better than Handmaid's Tale or The Edible Woman.
DeleteI enjoyed reading about the different ways that you approached and experienced this novel in re-reading (and anticipating your next re-read). It's one that I have re-read myself (and last year I re-read The Handmaid's Tale, which it sounds like I enjoy more than you do) and coincidentally I've also been thinking about re-reading Headhunter.
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