Last Thursday, I took the day off. I was very fortunate that the threatened rain didn't materialize. I had to rent a car. I probably would have done so anyway, as it isn't normal to take a car-share car hundreds of kilometres (even if car-share companies hadn't mostly crumbled in Toronto). At any rate, I made it up to Danforth and got the car slightly after 8:30. It was a fairly smooth ride up the DVP to Major Mac. Major Mac had construction at several points, and there were many stretches that I found the speed limit set too low, relative to the design speed of the road. But I mad it up to the McMichael in just under an hour and a half. I was actually early, as the gallery hadn't opened yet. I wandered around the grounds for a bit, and they let me in at 10:15, even though my timed ticket was for 10:30.
My timing wasn't great, as they had closed down a large exhibit of First Nations' artists, and the exhibit on female artists who were contemporaries of the Group of Seven, Uninvited, doesn't open until Sept. 10. I may make it back up for that, but we'll have to see. What was on view was still pretty great. They had a much deeper dive into Tom Thomson and the Group of Seven than I had seen before. This stays up for about a year.
It's always hard to pick what to show from a Group of Seven exhibit, but I'll focus on less typical paintings that I don't think I've seen at the McMichael before.
A.Y. Jackson, Radium Mine, c. 1938 |
Arthur Lismer, From My Window -- Montreal, 1940-49 |
Lawren Harris, Houses, Gerrard Street, Toronto, 1912 |
Denyse Thomasos, Excavations: Jaisalmer Night Suspension, 2007 |
Denyse Thomasos, Displaced Burial/Burial at Goree, 1993 |
I finally made it. And I found a parking meter on the street (I had another 20 minutes or so before I could park at the Tom Patterson Theatre). The first Thai place I went to only was doing take-out, but the other one had outdoor seating, so I grabbed a quick lunch (and drank four glasses of water!).
I was running a bit late, so I didn't do much shopping on the main drag, but it was still a nice feeling that life hadn't completely stopped.
Then I went over to the theatre. It's quite nice from the outside, and I hope that next summer I'll actually be able to go inside (and I really hope the Stratford bus is running!).
They were doing The Rez Sisters in an outdoor pavilion, which was fine. I felt that we were spread out and there was good ventilation.
I think I still need another day or two to process the performance, but I'm glad I saw it. Now maybe next season someone will put up Dry Lips, which is sort of the mirror image of this play. Or even Rose, which is Highway's much lesser-known third play set on the "Rez." I will say I could really feel it when they kept talking about the six hour drive to Toronto for the World's Biggest Bingo, as I had two hours to go to get back to Toronto. (Maybe this wouldn't have resonated as much had I seen this in Toronto itself...).
On the drive back, there was quite a bit of construction, and when I finally hit Toronto, the 401 E was literally stop and go for long stretches. I gambled that the 401 to the DVP would be better than taking the 427 and the Gardiner. I have no way of knowing if that was the right call. Probably both routes were terrible. The DVP had very heavy traffic but actually was moving pretty well.
I had to stop near my house to fill up gas, as I had used half a tank. One small mercy was that I was able to drop off the vehicle after hours after all, so I didn't have to pay for an overnight parking permit. And I was just so relieved to no longer be responsible for the car.
While I was an hour later than I wanted, I went over to Streetcar Crownest where they have just started a live music series. I caught the very last song of Alison Au's set and then stuck around for the 2nd set.
I may start going to this on a regular basis, but we shall see. Certainly a very eventful and cultural day!
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