This year is a little different in that I expect to be leaving Chicago at the end of Sept. -- though with relatively frequent visits through Jan. or Feb. So it isn't clear enough that I would get enough value to subscribe to anything, and indeed I just let my membership at the Art Institute lapse. But I can at least think about what is coming down the road.
It looks like I will somehow be able to make the first plays in most 2011-2012 seasons:
Red -- combined Goodman/VG
Mourning Becomes Electra -- Remy Bumppo
Naomi Wallace's The Fever Chart -- Eclipse (actually the final play in their season!)
Hwang's Family Devotions -- Halcyon
A Behanding in Spokane -- Profiles (not entirely sure I want to see this, but I may go under the right circumstances)
It is a lot less likely that I can make the following, but I'll see if I can arrange it so I can be in town for the following:
Penelope -- Steppenwolf (Dec-Jan)
Invisible Man -- Court (Jan-Feb)
What We're Up Against by Theresa Rebeck -- VG (Jan-Feb)
Camino Real -- Goodman (March-April)
Emperor of the Moon -- Halcyon (TBD)
Camino Real is probably the least realistic, but the one I want to see the most (and there is supposedly a Tennessee Williams fest, wrapped around that) so we'll just see how it goes.
Update:
I decided that since Red was playing in Vancouver, it would be sufficient to see it there (I'll go mid-January). I am sure the level of professionalism won't be as high as at the Goodman, but I already saw it on Broadway with Alfred Molina and neither production will likely match that. I did see Family Devotions, Fever Dream and Mourning Becomes Electra. I skipped the others. As far as the future productions, I have tickets for Penelope at Steppenwolf but will bag all the rest. If Halcyon does Emperor of the Moon some day, then I might try to schedule a trip to Chicago.* After reading Camino Real, I decided I definitely wasn't going to plan a special trip to Chicago to see it (and our travel plans changed to the point that I wasn't going to be in Chicago in January). On the other hand, I decided to squeeze in Elizabeth Rex (by Timothy Findley) at Chicago Shakespeare in late Dec. and that might end up being my last Chicago play, so I hope it lives up to the hype.**
* I did end up seeing this.
** It was indeed very good.
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